Sub-Categories[]
Big Beat
Detroit Techno
Chicago House
The List[]
Artist | Album Name | Year | Description | Download | Album Art |
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Amon Tobin | Bricolage | 1997 | Electronic music with jazz influences. Very organic sounding, almost entirely realistic-sounding instruments. | Download | |
Aphex Twin | Richard D. James Album | 1996 | Download | ||
Aphex Twin | Selected Ambient Works 85-92 | 1992 | "They say next to no one heard the Velvet Underground's first album when it was released, but everyone who did went on to start a band. Listening to Selected Ambient Works 85-92, one can't help but imagine the seeds being planted in the imaginations of the lucky few who were there when it all began. Nestled in these simple, undeniably danceable tracks are the roots of contemporary IDM. And despite its somewhat primitive origins, the final product remains among the most interesting ever created with a keyboard and a computer." | Download | |
Aphex Twin | Come To Daddy | 1997 | WHAT IS THIS I DONT EVEN | ||
Boards of Canada | Music Has the Right to Children | 1998 | This debut release from Boards of Canada has now become a standard of electronic music that is revered by critics and fans everywhere. Ethereal sounds and hypnotic beats drive the album through its 17 tracks. As with most electronic albums it is instrumental, save the occasional use of small vocal samples to further the songs' tonal atmospheres. On the last track the album finishes with an ironic message on the dangers of censorship. Elusive, mysterious, and beautiful, this album is an excellent exploration of modern electronic sounds. | Download | |
Boards of Canada | Geogaddi | 2002 | Download | ||
Boards of Canada | Twoism | 1995 | Download (FLAC) | ||
Daft Punk | Discovery | 2001 |
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Download | |
Fuck Buttons | Tarot Sport | 2009 | A noise-influenced album filled with swirling, hypnotic sounds. This instrumental album goes in unexpected directions at unexpected times, giving the listener a slight sense of suspense, yet the core feeling is always one of joy and triumph. | Download | |
Justice | Cross | 2007 | "... is also a sensation-for-sensation's-sake record, something French house has always excelled out-- even when it's been more classy than crass. Cheekily disregarding so many things that good dance music is "supposed" to have-- especially, you know, bass-- and in a post-microhouse era where "quality sound design" is a fetishistic obsession, Justice's digital distortion, 128kb-grade hyper-compression, and sometimes aggressively un-funky house sprays good taste with its pissed-up, pissed-off 3 a.m. musk." | Download | |
Crystal Castles | Crystal Castles | 2008 | "Their debut LP partly picks from 7" and 12"s that have been available in some format since 2005, and it's every bit as difficult to pin down.
The lead track samples DFA 1979's "Dead Womb" and places those vocals atop a cyclical synth loop while they get disembodied and chopped up-- both function as song-length hooks. But the thing's called "Untrust Us" (natch) and by the next one, they're making good on that claim. "Alice Practice" absolutely sears with megaphoned (emphasis on mega) barking and Ethan Fawn's Atari-laced keyboards going on the fritz and racking up free plays" |
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Venetian Snares | Rossz Csillag Alatt Született | 2005 | "But to his credit, [Aaron] Funk takes a chipped, charcoal pencil and illustrates a forest of leafless trees filled with the pigeons that he daydreamt of while watching the birds at Budapest's Royal Palace. Even better, his beats work with the orchestration instead of pulverizing it for an ironic counterpoint. Funk's baroque strings fittingly strike the air, while just about every melody is played with grinded teeth and bloodshot eyes" | Download | |
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Sheikh to the F.U.T.U.R.E |
The Future |
Perhaps we will someday find out how this artist was able to send his album back in time. |
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